Miao Drum Culture and Its Social Function

Miao Drum Culture and Its Social Function

Research Institute of Anthropology and Ethnology

Volume 7, Number 2 (2006) 7 (2): 54-61


Keywords Unique customs of Miao people; Evolution of Miao drum; Miao cultural significance, Cultural Symbolism, Ethnocultural Significance, Social Function, Miao Culture, Drum Functions, Miao Drum Culture, Miao People, Sacrificial Offering, Social Status

Abstract

The Miao drum serves as a vital cultural symbol with profound ethnocultural significance in Miao society. This study examines its historical evolution and multifaceted functions—from wartime communication tool to ritual object in sacrificial ceremonies, marker of social status, and entertainment medium. Through indigenous perspectives, the research highlights how the drum transformed into a spiritual heritage symbol that empowers Miao identity and cultural resilience. Despite historical changes, it maintains core relevance in contemporary Miao customs and retains global recognition as intangible cultural heritage. The analysis underscores the drum's enduring role in preserving unique traditions while adapting to modern contexts, demonstrating its continued importance in sustaining biocultural diversity.

Authors

Research Institute of Anthropology and Ethnology

Published September 1, 2006

How to Cite

Miao Drum Culture and Its Social Function. (2006). Fourth World Journal, 7(2), 54-61. https://doi.org/10.63428/senqh913

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright (c) 2025 Research Institute of Anthropology and Ethnology (Author)

References

Li Tinggui, editor, “History and Culture of Miao People”. Beijing, China: Central University for Nationalities Press. 1996, Pp. 303-304.

Editing Committee of the Collection of the Brief History of Chinese Nationalities, “Brief Introduction to Miao History”. Guiyang, China: Guizhou Nationalities Publishing House. 1985, Pp. 1-8.

Long Ningying, “Customs in the Gu Miaohe River”, Changsha, China: Hunan People's Publishing House. 2001, Pp. 361-368.

Ji Lanwei and Qui Jiurong, “History of Dance of Chinese Minorites”. Beijing, China: Central University for Nationalities Press. 1998, Pp. 368-369.

Yang Tingshuo, Luo Kanglong and Pan Shengzhi, “Nationality Culture and Niche”, Guiyang, China: Guizhou People's Publishing House. 1992, Pp. 2.

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